Mooi Indie is a term that originated from the Dutch language and translates to “Beautiful Indies.” It refers to a style of painting in Indonesia during the Dutch colonial period. Mooi Indie paintings were typically landscape paintings created by artists who lived in the Dutch East Indies from the 19th century until the early 20th century.

The term “Mooi Indie” is also used to depict the beauty of nature in the Dutch East Indies. It is associated with the appreciation of the natural landscapes and scenery found in the region.

Mooi Indie has been the subject of various art exhibitions and studies, showcasing the works of both European and Indonesian artists who were active during the Mooi Indie era. The term has also been used in the titles of art projects and exhibitions, such as “Re-plating Mooi Indie” and “Mooi Indie Beautiful Indies”.

Overall, Mooi Indie represents a significant period in the art history of Indonesia, reflecting the beauty of the natural landscapes and the artistic styles prevalent during the Dutch colonial period.

Auguste Antoine Joseph Payen

Auguste Antoine Joseph Payen (12 November 1792 – 18 January 1853), also known as Antoine Payen the Younger, was a Belgian painter and naturalist. He was born in Brussels and died in Tournai. His father, Antoine Payen the Elder, was an architect.

Payen was commissioned by Dutch King William I to create a series of paintings of the landscape of the Dutch East Indies. One of these works, “The Great Postal Route near Rejapolah,” painted in 1828, hangs in the Rijksmuseum in Amsterdam.

While in the Dutch East Indies in 1819, Payen met an eight-year-old Raden Saleh and recognized his talent for drawing. Payen became Saleh’s first mentor, and Saleh would follow Payen to Europe three years after Payen’s departure from Java in 1826.

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